Orson Welles Volume 3 OneMan Band Simon Callow 9780099502838 Books
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In One-Man Band, the third volume in his epic survey of Orson Welles’ life and work, Simon Callow again probes in comprehensive and penetrating detail into one of the most complex artists of the twentieth century, looking closely at the triumphs and failures of an ambitious one-man assault on one medium after another – theatre, radio, film, television, even, at one point, ballet – in each of which his radical and original approach opened up new directions and hitherto unglimpsed possibilities.
The book begins with Welles’ self-exile from America, and his realisation that he could only function happily as an independent film-maker, a one-man band; by 1964, he had filmed Othello, which took three years to complete, Mr Arkadin, the biggest conundrum in his output, and his masterpiece Chimes at Midnight, as well as Touch of Evil, his sole return to Hollywood and, like all too many of his films, wrested from his grasp and re-edited. Along the way he made inroads into the fledgling medium of television and a number of stage plays, including Moby-Dick, considered by theatre historians to be one of the seminal productions of the century. Meanwhile, his private life was as dramatic as his professional life.
The book shows what it was like to be around Welles, and, with a precision rarely attempted before, what it was like to be him, in which lies the answer to the old riddle whatever happened to Orson Welles?
Orson Welles Volume 3 OneMan Band Simon Callow 9780099502838 Books
Fascinating and eminently readable, vastly informative from start to finish. The third volume of Callow's biography of Orson Welles covers a period encompassing such works as TOUCH OF EVIL, THE TRIAL, and the sublime CHIMES AT MIDNIGHT. Welles' ability to inspire and infuriate is amply documented, but never descends into sensationalism. A fine volume by any standard.One thing, though. The book, in its first edition from Viking, gives every indication of being a hardcover version of the uncorrected proof. Typos abound, names are mis-spelled (the great actor Marcel Dalio is misidentified as Dallio twice, once in the text and again in the index), the words "vintage Welles" "quintessential Welles" and "quintessentially Wellesian" appear far too frequently (even appearing all in the same paragraph), and a melancholy couple of sentences about TOUCH OF EVIL being "one for posterity" appears on one page and then again, almost verbatim, seven pages later. Come on, Viking, this book is too important for such sloppiness.
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Tags : Orson Welles, Volume 3: One-Man Band [Simon Callow] on Amazon.com. *FREE* shipping on qualifying offers. In One-Man Band, </i> the third volume in his epic survey of Orson Welles’ life and work, Simon Callow again probes in comprehensive and penetrating detail into one of the most complex artists of the twentieth century,Simon Callow,Orson Welles, Volume 3: One-Man Band,Vintage Books,0099502836,Biography & Autobiography Entertainment & Performing Arts
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Orson Welles Volume 3 OneMan Band Simon Callow 9780099502838 Books Reviews
Orson Welles was a big man weighing almost 300 pounds. Welles was also the possessor of a giant ego, intellect and gusto for life in all of its
forms,. Welles Renaissance Man life is being extensively chronicled by Simon Callow. Callow is a British actor, author and expert on Welles.
In this volume we follow Welles career and personal life from 1947 through 1968. The protean Welles directed such masterpieces in this era as
Mr Arkadin, Othello, Moby Dick on stage, a ballet, A Touch of Evil and won widespread fame for his eleven minute turn as the evil Harry Lime in the David Lean classic "The Third Man."
This was the period of Orson's European exile during the blacklisting era in Hollywood. Welles was notorious for his left wing views. He absorbed much during his self-imposed European film career. Welles was always trying to make money to make his films such as Macbeth and Don Quixote.
Welles was a one man band of rebellion against staid Hollywood slick productions and Victorian era morality. Welles could be selfish, combative and behave like the consummate narcissistic personality he was. He was also a great artist.
Simon Callow's erudite prose and analysis of Welles makes this one of the best biographies ever written of an entertainer in print. Not for everyone but film buffs, Welles fans and anyone wanting to learn more about the magical world of moviemaking will enjoy this third installment.
A fittting 3d vol, long awaited. Clearly Callow was meant to write this biography. Now I look forward to vol. 4.
A very satisfying third volume in Actor/Author Simon Callow's magnum opus on the life of legendary filmmaker, magician and raconteur Orson Welles. Mr. Callow is to be commended for relentlessly digging deeply enough to dispel the decades of Wellesian mythology (much of it coming from Welles) that has been taken for truth. Callow wraps his very readable investigation in style, wit and much appreciation for Welles. A must-read for any Welles fan.
The story of Welles's self-imposed exile in the late forties and fifties is actually more interesting than the tale of his meteoric rise to fame and glory as told in volume I.
Can never get enough of Welles ...the triumphs and failures...GARGANTUAN ....well told here.
This multi-volume biography is the perfect match of subject and writer. After "One Man Band" you won't like
Welles as much, but you'll appreciate him and his masterful accomplishments much more
This is Orson Welles in all his complexity, from filming his landmark Othello and MacBeth through his European exile, the making of Touch of Evil, The Trial and Chimes at Midnight, and struggles as an actor, director and celebrity. Resuming his multi-volume bio after the Hollywood years, Simon Callow is honest enough to show the flaws (and there were many), but never loses sight of Welles' originality and genius. Must-read film history.
Fascinating and eminently readable, vastly informative from start to finish. The third volume of Callow's biography of Orson Welles covers a period encompassing such works as TOUCH OF EVIL, THE TRIAL, and the sublime CHIMES AT MIDNIGHT. Welles' ability to inspire and infuriate is amply documented, but never descends into sensationalism. A fine volume by any standard.
One thing, though. The book, in its first edition from Viking, gives every indication of being a hardcover version of the uncorrected proof. Typos abound, names are mis-spelled (the great actor Marcel Dalio is misidentified as Dallio twice, once in the text and again in the index), the words "vintage Welles" "quintessential Welles" and "quintessentially Wellesian" appear far too frequently (even appearing all in the same paragraph), and a melancholy couple of sentences about TOUCH OF EVIL being "one for posterity" appears on one page and then again, almost verbatim, seven pages later. Come on, Viking, this book is too important for such sloppiness.
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